Talking with Tony D’Sousa (page 2) | ||||||
Talking with Tony D’Sousa page 1 page 2 page 3 page 4 page 5 page 6 page 7 page 8 |
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And you went to Cote d’Ivoire? | ||||||
Yes. I served two and a half years in Cote d’Ivoire (May 2000 to September 2002) and four months in Madagascar. I was evacuated from Cote d’Ivoire during my third year, and transferred to Madagascar to help re-start their suspended program. In Madagascar, I was haunted by the violence in Cote d’Ivoire, and shirked my duties and wandered around the southern part of the island for two months, ending my sojourn in the mountains, and when I came back down, the CD gave me the choice of Admin Sep or early termination, so I ETed. |
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What were your Peace Corps assignments? |
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In Cote d’Ivoire, I was assigned to a Muslim village of 700 people as an Education Volunteer. My main duty was HIV/AIDS education. |
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Where you writing when you were overseas? | ||||||
I did try to write in my village, wrote everyday by lamplight for the first three months. I sent those pieces home and my mother submitted them to the journals. I gave her an old Writers’ Market and left her to it. She had better luck than I ever had. I had pieces accepted by good journals in Australia and New Zealand, as well as the United States, but the foreign ones made me happiest because my stories are set all over the world and I like to think that I write for an international audience. |
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How did you get your agent? |
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A woman in my training group, Merle Rubine, had retired from her career as a producer at Dateline, NBC. We were both stationed in the Seguela region, and became close friends. She read a few of my stories and said I should send them to her friend Liz, who was a literary agent in New York. So I did. Liz wrote back that she liked the stories but didn’t think that there was a market for stories, to send her a novel when I had one. I wrote a silly political anti-Bush novel in six weeks a couple of months after getting home in ’03, sent it to her, she sent it back, but kept her door open. A year to the day later, I sent her Whiteman, and she picked it up. She just happens to be Liz Darhansoff, a legend whose agency’s recent titles include Memoirs of a Geisha, The Shipping News, Cold Mountain, The Life of Pi, and Brokeback Mountain. Getting her to represent me was the single most important moment of my career. When I got the e-mail from her saying she wanted Whiteman, I pumped my fists in my office for an hour, easy. I was teaching composition at a community college in California, and everyone came in to see what was up. Her taste is so good, that in some ways, I was writing for her. I simply knew as fact that if she picked up my book, everything would be good. |
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