Peace Corps Writers
A Writer Writes
Read other short works about the Peace Corps experience Paris, 1977

by Joseph Monninger
(Upper Volta [now Burkina Faso] 1975-77)

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I AM FIFTY THREE years old. It is December in northern New Hampshire, not a cold one, but outside the day settled dark and quiet and largely unnoticed. Earlier I built a wood fire in our stove and now I can hear the logs and flames ticking occasionally, the warmth spills into the air. My son and his friend are downstairs watching a movie and my wife, Wendy, has gone to Massachusetts to see her sister. Tomorrow my son and I will join her in a family celebration, all of us convening around the 80th birthday of an uncle. And though I know I will wake tomorrow and go about my regular obligations, tonight I am haunted by memories, memories of a time before my son and wife, before this house and land, before my career, such as it is, had grown firm and bounded by obligation. I am haunted — a dramatic word, but fair nonetheless — by the young man who returned from two years in Africa and landed in Paris, at twenty-two years old, in hopeless love with literature.

I CANNOT PRETEND to know everything about that young man. He was thin, I know. He had lost weight, a great deal, in Africa. His eyes, my eyes, in the few photos I have of that period stare at the camera with something like hunger or mistrust. A picture exists, though I am not sure where it is any longer, of my young self smoking a cigarette in a former slave castle in Dix Cove, Ghana. The young man in that picture looks thin to the point of worry, his eyes hollow and nervous. I know, at a glance, that the young man had lived a life of peculiar isolation in the African bush, had gone into a dangerous intimacy with himself, had emerged to find himself among friends and drink and food on a beach in Ghana. And on that beach a friend had drowned. An accident. He had been caught by a riptide, dragged out to sea, washed up, three or four days later with his eyebrows plucked by small fish, his body a white glimmer in the rolling waves as it returned to shore. The photograph — if memory serves — came later, after the parents had been notified, after the officials had been reassured, the body taken for cleaning. Someone had taken my picture as I smoked a cigarette. I wore a gray sweatshirt and had a rawhide band around my wrist. 1976, maybe. I was a year away from Paris then, but I didn’t know it.

I SPOKE FRENCH in Paris. I fell in love with the Jardin du Luxembourg. I brought my coffee each morning to drink beneath the statue of Pan. Why Pan? What was this juvenile attachment I felt to Pan? Did I believe myself freer, more natural, in some sense, than those around me? It is embarrassing to confess it, but Pan symbolized the ineluctable urge I felt in every molecule. Embrace, devour, live, fuck, eat, taste, write. Yes, of course, writing was the great secret urge, the greatest, and Pan, I felt, understood what I would become. The bravado, the sheer cock-sure-edness, the sense that I must be someone or die — how did that boy become this man I am today?

I ARRIVE IN Paris by train, eight hundred dollars in my pocket. My return ticket to the United States remained open ended. I could return when I liked. It is possible I have been freer in my life, but I can’t remember when. I had been gone for two solid years, leaving immediately after college to travel to West Africa in the Peace Corps. I had endured a lonely posting. I lived in a shack by lantern light, lizards on the wall, snakes now and then in the latrine. I had malaria five or six times. Each malarial event approached the same way: a tremor in my spine just below the base of my skull. I immediately loaded myself with anti-malarial medicine, then went to bed and woke a day, two days, three days later, my bed soiled, my thirst enormous, the mosquito net tucked around my mattress sagging with vomit. Twice during these events I woke at night, my bed outside, and I returned to life as if from heaven, soaring down through the stars and light until I gained the sense of crawling back behind my eyes.

A GRIS-GRIS MAN tried to kill me in Africa. Tried to fish my soul. That was behind me when I arrived in Paris.

THE TRAIN TO PARIS traveled from Barcelona where I left Gail. I had traveled with her through Mali, Senegal, Mauritania, and Morocco. In Mauritania half track trucks from the Spanish Sahara rode across the desert and shelled the capital, Nouakchott, shortly after Gail and I arrived. A land dispute. Algeria had something to do with it. Gail and I slept in doorways, hoping the reinforced mud around the doorway arches would provide shelter and protection. She knew someone who worked for the U.S. government. We met him. He had the government send over his elaborate model train set. He set it up throughout the bottom floor of a building. In the heat of the afternoon he sent the B&O, the Rock Island Line, nonsensical Lionel trains careening around the large tile floor, and at night the trucks came again and launched feeble missiles at the city, the arc of their explosions like eyebrows of light on the gray desert night.

WHAT HOPES AND DREAMS I had, what passion I had for books, what feeling I had for life and the sense of what it could be, are a distant memory. But for three weeks in Paris, when I was twenty-two years old, I lived in a state of rapture. At some point in Africa I had learned to read. I remember books as a scalding experience. Nights I spent leaning toward a kerosene lamp, the print dull and quiet, the entrance to a second world, the world of Joyce, Eliot, Dickens, Turgenev, Chekov, Dostoevsky, Shakespeare, like so many doors. In the darkest nights, where no light interrupted, where the dry season coated us with dust and heat day after day, I lay at night in a bed outside, stars hanging above, the sagging mosquito net tucked in around my mattress, the moon sliding always westward, the books’ pages leaving the taste of old basements on my fingers. Stories. Events. Chapters. Coupled with the narratives of so many novels, the leaked rumors about Peace Corps Volunteers reached me when officials passed on their way to other posts. A young man had gone bien cuis, well cooked, and had taken off his western clothes in an attempt to become a Tuareg. He escaped to Lake Chad, where the Peace Corps officials found him living beside a band of horsemen, a severed horse tail in his dirty hands as a riding crop, the famous canonical Tuareg hat on his head held on by a knotted string under his chin; a Volunteer who had gone to sleep only to have a cobra creep up and curl in the sagging mosquito net above him, a pouch of netting, the snake, like an ancient dragon, stuttering to life each time the Volunteer tried to move beneath him. The volunteer lay for two days in quiet before the snake left of its own accord, slithering out a window like the visitation of a demon. Books in this. Pages, stories, tastes. A Volunteer who had posed for a picture on the back of the sacred crocodiles of Sabu. The crocodiles came to shore when the local boys beat fledgling chickens on the water. The crocodiles, said to be spirits of the dead, oozed onto the a muddy bank, and there my friend, Don, posed while sitting on the animal’s back, his white legs peculiar next to the black brackets of the croc’s forelimbs, the croc’s teeth snaggled and protruding, a yellow chicken feather cinched into one lip.

  

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